图像效果的发现与发明——论贡布里希的漫画研究  

Discovery and Invention of Image Effects: A Study of Gombrich's Theory of Caricature

作　　者：牟春[1] Mu Chun(Department at Shanghai Normal University,Shanghai 200234,Chin)

机构地区：[1]上海师范大学哲学系

出　　处：《文艺理论研究》2018年第3期78-87,共10页Theoretical Studies in Literature and Art

基　　金：国家社科基金一般项目"瓦尔堡学派的图像学研究"[项目编号:17BZX130]阶段性成果~~

摘　　要：对漫画艺术的探讨在贡布里希的艺术史叙述与图像心理学研究中占有重要地位。贡布里希从漫画禁忌入手思考图像魔法问题,由此串联起了西方艺术史的进程。他又从漫画艺术彰显的等效性出发反观西方自然主义的再现性图像,从而向我们揭示了一个图像心理学的真理,即一切图像制作(包括再现性图像的制作)所追求的都不是相似性而是等效性,图像制作者意在通过不断实验摸索获得开启感官之锁的钥匙。由于漫画创制甚至任何图像创制都不是对现成之物的寻求,因此所有绘画作品主要是艺术家的创造发明。E. H. Gombrich＇s discussions on caricatures play an important role in his study of the history of art and image psychology. He begins his narrative of the magic of art with the taboos of caricature and in this way delineates the course of Western art history. He also reflects on the representational images in Western Naturalism from the perspective of equivalences of caricatures,and by means of this he reveals the truth of image psychology. Gombrich argues that all image makings,including the one aiming at representation, pursue equivalences instead of similarities, and image makers always devote themselves to conducting various experiments to forge keys to our senses. Since making caricatures,even all kinds of images,is not to discover something that is already made,all drawings are mainly inventions of artists.

关 键 词：贡布里希 漫画 发现 发明 

分 类 号：J218.2[艺术—美术]