西川诗歌诗学的后现代状态  

The Post-Modern Condition of Xi Chuan's Poems and Poetics

作　　者：葛旭东[1] GE Xudong(Department of Chinese Language and Literature,Peking University,Beijing 100871,China)

机构地区：[1]北京大学中文系,北京100871

出　　处：《辽宁大学学报（哲学社会科学版）》2018年第4期134-141,共8页Journal of Liaoning University(Philosophy and Social Sciences Edition)

摘　　要：文章通过比较西川前后阶段的诗歌创作以及基于创新可能性的种种讨论,意在呈现潜藏在现象里的矛盾和间隙。主要从三个方面对西川的诗歌诗学进行论述:西川用"伪哲学"对抗原有的哲学体系,后期诗文中出现了"废墟景观";他反对"美文学"不是为了改善它,而是为了实现"误构"(防止"同构"),使原来的系统剧烈移位;西川为了追求诗歌的创新性,不断变换"招数"(即竞技),试图走出一个个语言的、思想的陷阱,追求新的艺术范式。西川诗歌系统的不稳定性,体现了其诗歌诗学的后现代状态。Through comparing the creation of Xi Chuan＇s poems in different periods and discussing the possibilities of innovation, this essay aims at presenting the contradictions and gaps existingbehind the phenomenon. The paper will analyse Xi Chuan＇s poems and poetics from the following three aspects. Xi Chuan used＂pseudo-philosophy＂to fight against the existing philosophy, so＂sight of ruins＂appeared in his later poetry. His opposition to beautiful literature was not to improve the style but to achieve＂paralogy＂,which made the existing system shift violently. Xi Chuan unceasingly varied the ＂trick＂because of his thirst for the innovation of poetry. Trying to avoid the trap of language and thought, he seeks the new artistic paradigm. The instability of Xi Chuan＇s poetic system reflects the post-modern condition of his poems and poetics.

关 键 词：西川诗歌诗学 “废墟景观” “误构” “招数” 后现代状态 

分 类 号：I207.25[文学—中国文学]