两个传统建筑空间原型的当代演绎——浅析谷口吉生建筑创作中东方气韵的营造  

The Contemporary Interpretation of Two Traditional Architectural Space Prototypes: A Brief Analysis of the Oriental Spirit in the Architecture of Yoshio Taniguchi

作　　者：王金晖[1] 张璇[1] 卞洪滨[1] WANG Jinhui;ZHANG Xuan;BIAN Hongbin

机构地区：[1]天津大学建筑学院,天津300072

出　　处：《新建筑》2018年第4期58-61,共4页New Architecture

摘　　要：谷口吉生以其低调的为人作风和静谧的建筑风格在日本当代建筑师中独树一帜。他的作品在当代的建筑空间中渗透着传统建筑空间的韵味。日本传统建筑中的缘侧空间和廊院空间作为两个重要的空间原型在谷口吉生的建筑创作中多次出现。以京都国立博物馆平成知新馆等作品为例,以空间原型的角度为切入点,探讨其作品中东方空间韵味的营造。Taniguchi is unique among Japanese contemporary architects for his low-key personality and serene architecture. In his architecture, the Eastern and the Western architectural culture blend together. Contemporary architectural space permeates the charm of traditional architectural space. Edge space and corridor space are two important spatial prototypes in Taniguchi＇ architecture. This article explores the creation of oriental charm in Taniguchi＇s architectural works from the perspective of spatial prototype.

关 键 词：谷口吉生 原型 缘侧空间 廊院空间 当代演绎 

分 类 号：TU-024[建筑科学—建筑理论]