毛评本《三国演义》“类型化”肖像描写的积极意义  

The Positive Meanings of Typological Description In The Portrait Description of Mao's Comments on Romance of the Three Kingdoms

作　　者：韩婷婷[1] HAN Ting-ting(Party School of Anqing,Anqing Anhui 246133,China)

机构地区：[1]中共安庆市委党校综合教研室,安徽安庆246133

出　　处：《齐齐哈尔大学学报（哲学社会科学版）》2018年第8期108-110,共3页Journal of Qiqihar University(Philosophy & Social Science Edition)

摘　　要：罗贯中的《三国志通俗演义》问世后不久便被士人争相传诵、誊录。清初毛纶、毛宗岗父子对罗本进行评改,使之成为迄今最流行的定本,简称毛评本《三国演义》。毛评本《三国演义》描写了大约1191个人物,而对其肖像有所描绘的大约二、三百人。虽然某些人物形象的塑造有"类型化"、"典型化"倾向,但其肖像描写中所涉及的审美意象、图腾崇拜、叙事视角以及相术学等方面的因素对毛评本《三国演义》成功的人物形象塑造起到了重要作用。Shortly after Luo Guanzhong＇s Romance of the Three Kingdoms being completed, many scholars and readers read orcopied it. Early in the Qing Dynasty, Mao Lun and his son Mao Zong-gang commented on this writings by rewriting and reviewing it.Because of their efforts, the version of Mao＇s comments became the most popular version. Mao＇s version described about 1191 characters, and about two or three hundred of them had their own portrait descriptions. Although the describe of some characters has tendencyto typical its factors of aesthetic image, totem worship, narrative perspective and physioqnomy played important roles in its successfulcharacters description.

关 键 词：毛评本《三国演义》 审美意象 图腾崇拜 叙事视角 相术学 

分 类 号：I207.4[文学—中国文学]