论托马斯·伯恩哈德长篇小说《寒冻》的极端艺术风格  

Extreme Artistic Style of Thomas Bernhard's Novel Frost

作　　者：陈刚[1] CHEN Gang(College of Foreign Languages,Inner Mongolia University of Technology,Huhehaote 010051,China)

机构地区：[1]内蒙古工业大学外国语学院,呼和浩特010051

出　　处：《长春大学学报》2018年第7期59-62,共4页Journal of Changchun University

基　　金：内蒙古教育厅项目(NJsy16047);内蒙古工业大学校级项目(SK201508)

摘　　要：长篇小说《寒冻》是托马斯·伯恩哈德艺术风格的代表之作。全文从伯恩哈德的夸张艺术与一般文学夸张在形式和内容上的不同之处以及作品、作家与现实之间的关联等方面探讨作家极端艺术风格的思想渊源,对小说语言形式、夸张艺术的外在表现形式及其内在精神诉求等进行剖析,以此来展现伯恩哈德的夸张艺术风格,同时反映出当时人类面对现代社会困境时的极端无力感。The novel Frost,the masterpiece of Thomas Bernhard,reflects his artistic style. From the differences between Bernhard＇s hyperbole skill and the general literary exaggeration in form and content,the text discusses the thought origin of the writer＇s extreme artistic style in view of the relationship between the works as well as the writer and the reality,analyzes the language form of the novel,the external manifestations of the hyperbole skill and the inner spiritual appeal,in order to show the exaggerated artistic style of Bernhard. And at the same time,it reflects the extreme inability of human being while facing with the predicament of modern society at that time.

关 键 词：伯恩哈德 《寒冻》 极端 夸张艺术 社会困境 批判 

分 类 号：I516.074[文学—其他各国文学]