论莫言小说《三匹马》的戏剧性  

Discussion on Theatricality of Three Horses,Mo Yan's Novel

作　　者：隋清娥[1] 迟琳琳 SUI Qing-e;CHI Lin-lin(School of Literature,Liaocheng University,Liaocheng 252059,China)

机构地区：[1]聊城大学文学院,山东聊城252059

出　　处：《聊城大学学报（社会科学版）》2018年第4期13-20,共8页Journal of Liaocheng University:Social Science Edition

基　　金：山东省"十三五"高校人文社会科学研究平台:鲁迅与中国现代文学与文化研究中心

摘　　要：莫言的诸多小说在狂欢化、诗化、戏谑化、民间化、魔幻化等文体特征之外,具备戏剧性特征。《三匹马》是莫言的短篇小说,是其跨小说与戏剧两种文体进行创作的成功之作。本文探讨《三匹马》在戏剧性设计方面所做的努力,从在戏剧般的冲突中塑造人物形象、结构安排仿照"三一律"原则、安排悬念与突转、让人物的对话动作化舞台化四方面,探讨其打破小说与戏剧这两种文体之间的壁垒、让小说拥有某些戏剧性的一些创作规律,从而把握莫言小说文体特征的丰富性与全面性,从另一个角度认识其短篇小说的价值与意义。Many novels of Mo Yan have theatricality,expect some stylistic features,such as carnivalism,poetization,burlesco,folk transformation,magic,and so on. Three Horses is one of Mo Yan＇s short novels,which is a success across both novel and drama. This paper discusses the efforts the novel made in theatricality. By shaping character in dramatic conflict,following the Three Unities Structure,using suspense and abruptness and making dialogue of characters active and staging,the work breaks the barriers between novel and drama,and gives novel some theatricality. By analysising,we can grasp richness and comprehensiveness of stylistic features in Mo Yan＇s works,and realize value and meaning of Mo Yan＇s short novels from another angle of vision.

关 键 词：《三匹马》 戏剧冲突 三一律 悬念突转 动作化 

分 类 号：I206.7[文学—中国文学]