乡愁乌托邦:1920年代乡土小说的情感结构  

Nostalgia Utopia: Emotional Structure of Local Novels in 1920s

作　　者：古世仓[1] 桂尽贤 GU Shi-cang;GUI Jin-xian(School of Literature,Lanzhou University,Lanzhou 730000,China)

机构地区：[1]兰州大学文学院,甘肃兰州730000

出　　处：《烟台大学学报（哲学社会科学版）》2018年第4期66-73,共8页Journal of Yantai University(Philosophy and Social Science Edition)

基　　金：中央高校基本科研业务费专项资金资助项目(16LZUJBWYJ045)

摘　　要："乡愁"、"乌托邦"这两个概念都是现代化进程中的产物,乡愁乌托邦作为1920年代的情感结构的核心概念,它具有两个向度:乡愁指向过去的乡土中国,乌托邦却指向未来社会制度、人类合理的生存状态。乡愁乌托邦其实就有了过去和未来叠合在1920年代当下的特征。过去、未来和当下相互叠合的时间结构,城市和乡村的相互交织、紧密缠绕的空间结构,共同建构了1920年代乡土小说的情感结构。关注乡土中"人"的生存状态、主体生命价值和对乡土的眷恋纠缠在一起,成为1920年代乡愁乌托邦的核心指向。这对全球语境下文学创作的本土化也具有一定的镜鉴意义。The concepts of “nostalgia” and “utopia” derive from the process of modernization. As the core of emotional structure in 1920s, it can be interpreted from two aspects： Nostalgia mainly refers to the rural China of the past, while Utopia presents social system in the future and the reasonable state of existence of human beings. Nostalgia Utopia therefore features both the past and the future that overlapped in the present in 1920s. The emotional structure in 1920s is combined by the overlapping time structure in which the past, the future and the present mutually overlapped and the space structure that city and the countryside tightly interweaved. It pays close attention to the living state of “human” in the native land, and becomes the core orientation of Nostalgia Utopia in 1920s, which has certain mirror significance to the localization of literary creation in the global context.

关 键 词：1920年代乡土小说派 现代性 情感结构 乡愁乌托邦 

分 类 号：I206.2[文学—中国文学]