文学倾向性与“作者的声音”之比较  

A Comparison of Literary Tendency and the "Voice of the Author"

作　　者：权晓燕[1] QUAN Xiao-yan(College of Chinese Language,Hunan College of Technology,Yue yang Hunan 414006,China)

机构地区：[1]湖南理工学院中文学院,湖南岳阳414006

出　　处：《齐齐哈尔大学学报（哲学社会科学版）》2018年第7期113-114,141,共3页Journal of Qiqihar University(Philosophy & Social Science Edition)

摘　　要："文学倾向性"与"作者的声音"共同体现了作家在文学创作中的重要地位,并且对真正的现实主义小说的创作产生了深远影响,其中"作者的声音"更影响了后来小说叙事理论的发展。不过,两者侧重仍有不同。"倾向性"强调对时代的回应,而"作者的声音"则更强调作家在文本中是否发声以及如何发声,它是隐匿或显现于文本中的作家思想和意图。但都不能回避具体的历史语境,从这一点上来看,"作者的声音"极大丰富了"文学倾向性"的内涵。Literary tendency and author＇s voice embody the writer＇s important position in the literary creation,and have a profound influence on the creation of the real realistic novel. The author＇s voice has more influence on the subsequent narrative theory development of. However,there are two different focuses. While tendencies emphasize the response to the times,the author＇s voice emphasizes more on the writer＇s voice in the text and how to pronounce it. It is the writer＇s thought and intention concealed or appearing in the text.But can not avoid specific historical context,from this point of view,the author＇s voice greatly enriched the connotation of literary tendency.

关 键 词：倾向性 作者声音 回声 思想和意图 作家 

分 类 号：I109[文学—世界文学]