广彩瓷山水装饰纹样研究——以清末民初受岭南绘画影响的广彩瓷为例  

On Landscape Patterns of Cantonese Enamel Porcelains: a study of Cantonese enamel porcelains influenced by Lingnan painting in the late Qing Dynasty and the early Republic period

作　　者：陈文彦[1] CHEN Wenyan(College of Fine Arts,Zhaoqing University,Zhaoqing,Guangdong 526061,China)

机构地区：[1]肇庆学院美术学院,广东肇庆526061

出　　处：《肇庆学院学报》2018年第4期82-85,共4页Journal of Zhaoqing University

基　　金：肇庆学院人文社会科学项目(201720)

摘　　要：广彩瓷是中西文化艺术交流的结晶,自生产以来300多年一直以绚彩华丽、金碧辉煌著称。清末民初,由于受景德镇浅绛彩瓷以画入瓷以及以岭南画派为主的广东画家"实业救国"的思想影响,在广东博物商会、羊城芳村化观瓷画室等瓷绘组织出现了文人画家参与广彩瓷的创作。他们以传统山水画入瓷,清新素雅,极具文人气息,促使岭南绘画风格的瓷画逐渐兴起。根据文献资料及留存实物,以广彩瓷山水装饰纹样为研究对象,试从瓷器的表现内容与表现形式分析岭南绘画对这时期广彩山水瓷绘作品所产生的影响,凸显清末民初受岭南绘画影响的广彩瓷的艺术特色。Cantonese enamel porcelain is the crystallization of Chinese and western culture and art communication. It has been known for more than 300 years since its production, with gorgeous and magnificent colors. In the late Qing Dynasty and the early Republic period, due to the influence of the thoughts of Jingdezhen＇s light drop-colored porcelain and the Lingnan painter＇s‘Save the Country by Industry＇, the literati painters participated in the creation of Cantonese enamel porcelain in porcelain painting organizations such as the Guangdong Museum of Commerce and the Huaguan porcelain studio of Yangcheng Fangcun. They painted traditional landscapes on porcelains, with pure and fresh style, simple but elegant, full of scholar breath. The porcelains with Lingnan painting style gradually developed. This paper, based on related documents and existing paintings, tries to analyze the influence of Lingnan painting on Cantonese enamel porcelains in the late Qing Dynasty and the early Republic period concerning content and form, so as to reveal the artistic features of the porcelains.

关 键 词：清末民初 广彩瓷器 岭南绘画 山水纹样 

分 类 号：J527.9[艺术—艺术设计]