《在延安文艺座谈会上的讲话》与曹禺创作的转型  

Speech at Yan'an Literature and art Symposium and Creative Transformation of Cao Yu

作　　者：张英[1] Zhang Ying(College of International Exchange,BoHai University,Jinzhou Liaoning 121013)

机构地区：[1]渤海大学国际交流学院,辽宁锦州121013

出　　处：《沈阳师范大学学报（社会科学版）》2018年第5期39-43,共5页Journal of Shenyang Normal University(Social Science Edition)

基　　金：辽宁省社会科学规划基金项目(L17BZW003)

摘　　要：曹禺是中国戏剧史上公认的戏剧名家。自20世纪30年代登上文坛,曹禺创作出了《雷雨》《日出》《北京人》等杰出的剧作,达到了创作的顶峰。中华人民共和国成立以后,在毛泽东《在延安文艺座谈会上的讲话》精神的指引下,曹禺积极进行思想和创作上的"转型",创作出《明朗的天》《胆剑篇》《王昭君》等作品。这些剧作虽然难以再创辉煌,但是却显示出曹禺对《在延安文艺座谈会上的讲话》精神的积极阐释与实践,也反映出作家创作转型背后的复杂原因。CaoYu is a well-known dramatist in the history of Chinese drama. He has created some outstanding masterpieces like Thunderstorm, Sunrise, Beijinger and so on since he entered the literary world in the 1930s, reaching the peak of his creation. After the foundation of the People＇ s Republic, CaoYu made a transfomlation positively both in thinking and creation under the guidance of Mao Zedong＇ s Speech in the Yan＇ an Literature and art Symposium, and created A Clear Day, the Gall and Sword, Wang Zhaojuu and other works. Although it is difficult for these plays to become new splendors, they reflect Cao＇ s positive explanation and practice to the spirit of Speech in Yan＇an Literature and Art Symposium, and also embody the complex reasons behind the transfomlation of writer＇s writing.

关 键 词：曹禺 《在延安文艺座谈会上的讲话》 《明朗的天》 《胆剑篇》 《王昭君》 

分 类 号：I206.7[文学—中国文学]