文化形态学视域中的戏曲兴衰  

Rise and Fall of Chinese Opera from the Perspective of Cultural Morphology

作　　者：戴义德 Dai Yide(Hubei Research Academy of Art)

机构地区：[1]湖北省艺术研究院

出　　处：《文化发展论丛》2017年第3期201-226,共26页Culture Development Review

摘　　要：中国戏曲作为中华艺术文化的一种经典形态,也在中华文化的历史发展中兴衰流变。当代中国戏曲的困境首先是管理体制的困境。社会生产力的进步,经济的发展导致了戏曲经典形态的嬗变。艺术生产与物质生产发展不平衡的规律决定了中国戏曲不可能再以历史上的经典形态被生产出来,它将分化为精彩的审美文化＂碎片＂,成为新的演剧形态的艺术＂基因＂。As a classic form of Chinese art culture,Chinese opera also has experienced rise and fall during the historical development of Chinese culture. Contemporary Chinese opera is facing the dilemma of management system. The progress of social productive forces and the economic development have led to the evolvement of Chinese opera＇ s classic form. The principle that art production cannot be balanced with material production determines that Chinese opera can never be produced as its classic form in the history. Instead,it will be divided into wonderful ＂pieces＂of aesthetic culture,becoming the art＂gene＂of a new Chinese opera form.

关 键 词：文化形态 文化碎片 管理体制 戏曲特征 

分 类 号：F014.1[经济管理—政治经济学]