论都市空间的文化创造力——以北京王府井为例  

A Discussion on Cultural Creativity of Urban Space ——Taking Wangfujing, Beijing as an Example

作　　者：许苗苗[1,2] 

机构地区：[1]北京市社科院文化研究所 [2]北京市社科院首都文化发展研究中心

出　　处：《中国名城》2018年第9期65-69,共5页China Ancient City

基　　金：北京市社科规划一般项目"北京都市空间与新民俗研究"(编号:16WXB006);北京社科院重点项目"北京的城市文化空间结构与功能研究"(编号:2016A3656)阶段性成果

摘　　要："王府井"是北京地标景观,主要由水井、步行街、老字号等组成。有关王府水井传说的转变折射出不同时段对权力态度认识的转变。王府井步行街利用复古元素赋予当下消费以历史感。因靠近使馆区,王府井最初具备外国人窥探中国的窗口作用,但同时也为国人提供了了解异域文化的途径。当前,王府井的街景在消费功能和历史接续性之外,还具备为都市生活制造意义的功能:它在爱情电影中制造浪漫、在日常之外制造节庆和闲暇,赋予生活特殊的意义。王府井在对异域的容纳和化用中以民族文化实践了对东方主义的反拨,在迎接网络媒体虚拟经验冲击的过程中突出了实体经验的不可替代性。“Wangfujing” is a landmark of Beijing, mainly consisting of the well, pedestrian street and time-honored brands. The changes on the legend of Wangfu Well reflect the transform of people’s attitude to power in different period of time. Wangfujing Pedestrian Street gave current consumption a sense of history by making use of retro elements. As it was close to the embassy area, Wangfujing was originally a window for foreigners to spy on China, but at the same time it provided a way for Chinese people to know foreign culture. At present, the street view of Wangfujing also has the function of making meaning for urban life in addition to consumption function and historic continuity： it creates romance in love films and makes festivals and leisure outside daily life, give special meaning to life. Wangfujing practiced the backwash of orientalism by national culture in the acceptance and assimilation of foreign countries and highlighted the unsubstitutability of physical experience in the process of meeting the impact of virtual experience of network media.

关 键 词：王府井 都市空间 文化创造力 

分 类 号：TU-86[艺术—艺术设计]