英国小说的虚构和新奇——以《鲁滨孙飘流记》为例  

Fictionality and Novelty of English Novel:A Case Study of Robinson Crusoe

作　　者：王晓雄 WANG Xiao-xiong(School of Humanities and Laws,Hangzhou Dianzi University,Hangzhou Zhejiang 310018,China)

机构地区：[1]杭州电子科技大学人文与法学院,浙江杭州310018

出　　处：《杭州电子科技大学学报（社会科学版）》2018年第4期50-56,共7页Journal of Hangzhou Dianzi University：Social Sciences

基　　金：国家社会科学基金重大招标项目(10&ZD135)

摘　　要：《鲁滨孙飘流记》体现了作者笛福试图将虚构伪装成历史,并以此完成其道德说教的意图。但在小说的实际呈现中,《鲁滨孙飘流记》的叙述策略却不自觉地暴露出小说的虚构本质;同时,小说的新奇特质也压倒道德意图而唤醒了小说的主体性。笛福凭借《鲁滨孙飘流记》闯入小说领域,不自觉地在虚构和新奇两点上促成了现代小说的兴起。In Robinson Crusoe, Daniel Defoe tries to make readers believe what he presented is a history offact rather than a pure fiction in order to accomplish his purpose of moral didacticism. However the narrativestrategy in Robinson Crusoe exposes the fictionality of the novel and the novelty of the novel overrides the purpose of moral didacticism and then arouses the subjectivity of the novel. In a word, Robinson Crusoe contributes to the rising of modern novel in two aspects： the fictionality and the novelty.

关 键 词：虚构 新奇 《鲁滨孙飘流记》 

分 类 号：I106.4[文学—世界文学]