唐代士人身份与舞蹈诗关系探析——以张说、王建、张祜为中心  

Relationship between Identity of Scholars and Dance Poems in Tang Dynasty

作　　者：彭志[1] PENG Zhi(School of Humanities,Zhejiang University,Hangzhou 310028,China)

机构地区：[1]浙江大学人文学院,杭州310028

出　　处：《北京舞蹈学院学报》2018年第3期27-33,共7页Journal of Beijing Dance Academy

基　　金：浙江大学争创优秀博士学位论文资助(项目编号:201702B)阶段性成果

摘　　要：唐代舞蹈诗量多质高,士人是重要的创作主体。细化士人身份,可分成高级官僚、中下层官员、布衣处士三类。囿限于身份所带来的知识、视野及地位差别,士人笔下的舞蹈诗呈现出复杂面貌。高级官僚的舞蹈诗以张说之诗为代表,中书令身份使其能够观看、描绘一些多在宫廷教坊中表演的壮阔乐舞,并为庙舞撰写歌辞,而针对燕乐系统的泼寒胡戏,则谏言采用禁断之策。中下层官员的舞蹈诗以王建之诗为典型,沉迹下僚的身份使其仅能依凭王守澄转述,在《宫词》中摹写圣寿乐、抛毬乐、柘枝等舞蹈演出场景。布衣处士的舞蹈诗以张祜之诗为范例,处士身份使其游历四方时颇得各地刺史礼遇,钟情于描绘府邸中的柘枝舞胜景,同时诗中常见对大酺乐、千秋乐等在市井中展演舞蹈的描写。探讨唐代士人的三类身份与舞蹈诗创作间的错综关系,突显的是作为观者的士人对舞蹈表演的接受和反映。There were many outstanding dance poems in Tang Dynasty,and identity of scholars were subjects of them. The identity of scholars could be categorized into senior officials,lower middle class officials and commoners. These poems have their complexities because of the subjects＇ various background of knowledge,perspectives and position. Zhang Yue＇s dance poems could be regarded as an example of senior officials,Wang Jian＇s dance poems could be the example of lower middle class officials,and Zhang Hu＇s dance poems could be the one of commoners. The acceptance and reaction to dance of the scholars are also shown in this paper.

关 键 词：士人身份 舞蹈诗 观者之眼 错综关系 

分 类 号：J720.9[艺术—舞蹈]