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作 者:王廷法 WANG Ting-fa(College of Chinese Language and Literature, Fujian Normal University, Fuzhou 350007, Chin)
出 处:《集美大学学报(哲学社会科学版)》2018年第3期119-124,共6页Journal of Jimei University:Philosophy and Social Sciences
摘 要:王维以佛禅观照世间,其眼中"辛夷开落"之态亦在"顿悟"禅观中表现出"自性清净"的禅境。王维整首诗以"顿悟"为机,以思想的连续性将前两句之"景"与后两句"禅悟"融为一体,是"无念、无相、无住"思想的体现,景中寓禅,以禅喻景。王维将禅宗唯心净土思想与《辛夷坞》的整体性结合,在《辛夷坞》中构建器世间净土,并实现了对"心净土净"的"即心净土"的超越,而达于禅宗的"唯心净土"。以"辛夷花""寂无人"的状态,阐明勿假外求,自心看净的净土思想,由此显示了王维极高的佛禅境界。Wang Wei looks at the world with Buddhist Zen,and in his eyes,the state of "xinyi flowers blossom and fall" also shows the state of "self-purification" in the Zen view of "Epiphany".With "Epiphany" as the base,the poem Xinyi Wu integrates the "scene" in the first two lines with the "satori"in the rest two lines,well reflecting the thought of "no mind,no phase,no change".The scene and Zen are intermingled.Wang Wei combines pure land thought with the wholeness of the poem,and builds a pure land,a land which transcends "Jixin pure land"and achieves Zen's "Weixin pure land".The state of "xinyi flower" and "silence" indicates that people should seek the pure land from the inside instead of from the outside.
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