基于地域文化视域的秦腔服饰艺术内涵  

The artistic connotation of Qinqiang opera costumes based on regional culture

作　　者：刘存杰[1] 徐利兰[1] LIU Cunjie;XU Lilan(School of Humanities and Social Sciences,Xi′an Polytechnic University,Xi′an 710048,China)

机构地区：[1]西安工程大学人文社会科学学院,陕西西安710048

出　　处：《西安工程大学学报》2018年第4期403-408,共6页Journal of Xi’an Polytechnic University

基　　金：西安工程大学研究生创新基金(CX01724)

摘　　要：为了进一步探讨秦腔服饰的思想价值和艺术表现内涵,以地域文化为视角,针对秦腔服装的穿戴规制、款式造型、颜色搭配、装饰元素等,从陕西关学思想、历史文化符号及民间艺术等方面逐层分析秦腔服饰所受的地域文化影响.研究表明,秦腔服饰艺术在思想观念上富含崇礼尚节的关学气质;在艺术造型上注重写意渲染,恣意张扬秦地民间艺术的绚丽;在创新运用上擅用历史文化元素,激活艺术想象,彰显厚重、深沉、质朴、务实的陕西人文精神.In order to further explore the artistic connotation of Qinqiang opera costumes, combined with Qin apparel, style, color, decorative elements of rules and regulations, taking regional culture as the perspective, the regional cultural effect on the Qinqiang opera costumes is analyzed from shaanxi guan thought and folk art, history and culture symbol.The conclusion is that artistic connotation of the costume of Qinqiang opera is endowed with the customs of Confucianism and permeated with the beautiful folk art of the Qin dynasty. It artistically focuses on freehand rendering,using historical and cultural elements to activate the imagination of art, revealing shaanxi′s humanistic spirit, which is heavy, deep, simple and pragmatic.

关 键 词：秦腔服饰 艺术内涵 穿戴规制 地域文化 

分 类 号：J825[艺术—戏剧戏曲]