论路易丝·厄德里克诗歌的边界书写  

On Border Writing in Louise Erdrich’s Poetry

作　　者：王卓[1] WANG Zhuo

机构地区：[1]山东师范大学外国语学院

出　　处：《英语研究》2018年第2期63-75,共13页English Studies

基　　金：国家社会科学基金项目“多元文化视野中的美国少数族裔诗歌研究”(06CWW007)的阶段性研究成果

摘　　要：当代美国印第安女作家路易丝·厄德里克在小说创作上的辉煌成就遮蔽了她的诗歌的独特魅力,使其诗歌创作长期被学界忽视。事实上,诗歌创作伴随着厄德里克文学创作生涯的始终。与小说相比,诗歌更直接地体现了厄德里克的＂调和＂观,并在她的边界书写中实现了拆解地理疆界、模糊历史边界、杂糅心理境界的＂去殖民＂理想,同时建构起一个当代印第安人的情愫和生命安居期间的动态的、诗意的文化空间。The great achievement of contemporary American Indian woman writer Louise Erdrich in her novel creation shadows the unique glamour of her poetry,which leads to an academic neglect of her poetry. In fact,poetry writing accompanies Erdrich＇s literary career all along. Compared with novel,poetry represents Erdrich＇s idea of mediation more directly. Meanwhile,in her border writing,poetry creation becomes a process of decolonization to realize the deconstruction of geological border,ambiguity of historical border and hybridity of psychological realm. By so doing,Erdrich ＇s border poetic writing constructs a dynamic and poetic cultural space in which contemporary American Indian＇s life and emotion dwell comfortably.

关 键 词：路易丝·厄德里克 诗歌 边界书写 调和 

分 类 号：I712.072[文学—其他各国文学]