论劳伦斯诗歌《蛇》的动物美学与伦理主题  

On Aesthetics and Anthropocentrism in D.H.Lawrence'Poem Snake

作　　者：丁礼明[1] DING Li-ming(School of Foreign Languages,Sanming University,Sanming 365004,China)

机构地区：[1]三明学院外国语学院,福建三明365004

出　　处：《青海师范大学学报（哲学社会科学版）》2018年第4期118-122,共5页Journal of Qinghai Normal University(Philosophy and Social Sciences Edition)

基　　金：福建省社会科学规划课题"语言学话语论范式下劳伦斯文学现代性研究"(FJ2017X008);三明学院科研启动项目"劳伦斯文学现代性的多维研究"(16YG015)

摘　　要：劳伦斯的诗歌《蛇》一直是国内外学界研究的热点。大多数学者较多关注蛇的文化内涵、文学意象或象征意义。哲学家德里达则另辟蹊径,对诗歌《蛇》的赏鉴不仅概括出深刻的动物伦理学思想,也揭示出劳伦斯在诗歌的文字韵律间所传递的现代主义动物美学思想。劳伦斯与德里达共同的动物"他者"哲思颠覆了自古希腊以来西方人类中心主义的哲学传统,重塑了动物主权形象。The poem Snake written by D. H. Lawrence has always been a hot topic in the academic cir-cles at home and abroad. Most scholars pay much attention to the cultural connotation, literary image or symbolic meaning of the snake. The philosopher, Jacques Derrida, did research into the poem in a quite dif-ferent way. He not only outlines the profound thought of animal ethics, but also reveals the modernism aesthetic thought between the rhyme and text in the poem. In this way, the philosophic thoughts of animal ＂other＂ shared by Lawrence and Derrida overturned the philosophical tradition of western anthropocen-trism since ancient Greece and reshaped the image of animal sovereignty. Based on this, this paper attempts to interpret Derrida＇s concept of animal ethics, which is expected to be beneficial to the construction of ec-ological civilization in modern times.

关 键 词：劳伦斯 动物伦理学 动物美学 

分 类 号：I106.2[文学—世界文学]