从奈良美智到文那——论其陶瓷艺术创作中的现代“童话形象”生成  

From Yoshitomo Nara to Wen na——On the Generation of Modern "Fairy Tale Image" in their Ceramic Art Creation

作　　者：胡铂[1] HU Bo(Jingdezhen University,Jingdezhen 333000,Jiangxi Province,China)

机构地区：[1]景德镇学院,江西景德镇333000

出　　处：《景德镇学院学报》2018年第4期65-71,共7页Journal of JingDeZhen University

基　　金：2017年江西省文化艺术科学规划青年基金项目"陶瓷艺术创作中的‘童话现象’--文艺形象在手工业中的运用与创作语言表达"(Y G 2017275)

摘　　要："童话"本是一种文学形式,以富于想象和夸张见长,以一种儿童式的方式反映自然和人生,凡花草鱼虫、鸟兽树木,甚至工业社会中的一切物体都可以赋予生命,注入思想情感。所以在不少现代艺术创作及手工艺创作中,都出现了童话元素,甚至一些艺术家和手工艺者有意识地进行"童话形象"创作,从而形成自己的艺术表达语言。本文选取奈良美智和文那两位艺术家为例,从"童话"入手,探讨二者陶瓷艺术创作中现代"童话形象"的生成。＂Fairy tale＂ is a kind of literally fore1, which is full of imagination and exaggeration. Nature and life can be reflected fi＇om the children＇s perspective. All plants and worms, birds and animals, trees, or even all the objects in the industrial societycould be given life and mind. Therefore, fairy tale elements can be seen in a lot of modem art and art creation, and even some artists and erafters start to create the images of ＂fairy tale＂ consciously, forming their own language of the artistic expression. In this paper, Yoshitomo Nara to Wen na are selected as examples to explore the generation of modem ＂fairy tale image＂ in their ceramic art creation from the perspective of

关 键 词：童话形象 艺术创作 奈良美智 文那 陶瓷艺术 

分 类 号：J522.1[艺术—艺术设计]