贞元宫廷诗歌活动及其诗学史意义  

On the Activities of Palace Poem in Zhenyuan and Its Significance in the History of Poetics

作　　者：吴夏平[1] WU Xia-ping(School of Language Arts,Guizhou Normal University,Guiyang 550001,China)

机构地区：[1]贵州师范大学文学院,贵州贵阳550001

出　　处：《贵州师范大学学报（社会科学版）》2018年第5期87-95,共9页Journal of Guizhou Normal University(Social Sciences)

基　　金：国家社会科学基金项目"唐代书籍活动与文学之关系研究"(14XZW014)的阶段性成果

摘　　要：贞元宫廷诗歌活动是指以唐德宗为中心的宫廷诗人群体活动,多发生于时令节日,具有制度化、集体娱乐等特点。以权德舆为中心的台阁诗人群体活动是宫廷诗风的延伸,具有日常化、以诗为娱等特征。两种群体活动的发生,与贞元时期相对稳定的政局、帝王的提倡以及大历台阁诗人的影响密切相关。贞元宫廷诗人发扬了儒家诗学"化下"的一面,抛弃了"刺上"传统。在前人影响的焦虑之下,他们对诗歌之"丽"极度追求,实践和发展了"丽"的宫廷诗学。同时,宫廷诗学又与复古诗学形成二元对立,为诗学发展提供了动力。The activity of palace poem in Zhenyuan （贞元） referred to Tang Dezong （唐德宗） as the center of the palace poets group activities, occurred in seasonal festivals, with system and collective entertainment, etc. The poets group activity which takes Quan Deyu （权德舆） as the center was the extension of the palace activities, with daily, taking poetry as entertainment features. Two kinds of group activities were closely related to the relatively stable of the political situation in Zhenyuan, promoted by Tang Dezong, and cabinet poets in Dali （大历）. Zhenyuan palace poets carried forward moralized education of Confucian poetics, abandoned the tradition of critique. Under the anxiety of the influence of the predecessors, they pursued the “beauty” （丽） of poetry, and developed the palace poetics of “beauty.” At the same time, the palace poetics also formed binary opposition with the retro poetics, which provided the impetus for the development of poetics.

关 键 词：贞元宫廷诗人 台阁诗人 群体诗学 复古诗学 二元对立 

分 类 号：I222[文学—中国文学]