《荒野小站》的狂欢化色彩  

The Revelry Color in the Wilderness Station

作　　者：赵砚秀 李敬巍 ZHAO Yan-xiu;LI Jing-wei(Faculty of Humanities and Social Science,Dalian University of Technology,Dalian,Liaoning 116024)

机构地区：[1]大连理工大学人文与社会科学学部,辽宁大连116024

出　　处：《牡丹江大学学报》2018年第9期68-70,共3页Journal of Mudanjiang University

摘　　要：在《荒野小站》中,艾丽丝·门罗借助女性书写细腻地再现了女主人公在当时男性占有绝对话语权的社会环境下身体和精神所遭受的威胁与暴力,小说以男性的失声和女性的胜利回归作为结尾和巴赫金的狂欢化理论不谋而合。本文运用巴赫金的狂欢化理论,通过对《荒野小站》的狂欢化叙事结构,狂欢节式场景和加冕脱冕的仪式性三个方面来探讨其狂欢化色彩,进而揭示作者狂欢化写作背后所蕴含的对女性如何在男性压迫中抗争的思考。In Wilderness Station, Alice Monroe with the support of female writing meticulously reproduces the threats and violence in the flesh and spirit at the time of women were subjected to the social environment in which men had an absolute voice. The novel uses male＇s silence and women＇s victorious return as the end, which coincides with Bakhtin＇s carnival theory. Based on the Bakhtin＇s carnival theory, this paper discusses its revelry from three aspects： the carnival narrative structure, the carnival scene and the ritual of coronation. And then it reveals the author＇s thoughts on how to fight against male oppression behind the author＇s carnival writing.

关 键 词：《荒野小站》 狂欢化 巴赫金 

分 类 号：I106.4[文学—世界文学]