拟形与再造——论吴国伦的乐府诗  

Simulation and Recreation: Discussion of Wu Guolun's YueFu Poems

作　　者：王立增 WANG Li-zeng(School of Literature,Jiangsu Normal University,Xuzhou,Jiangsu 221116,China)

机构地区：[1]江苏师范大学文学院,江苏徐州221116

出　　处：《石家庄学院学报》2018年第5期49-56,共8页Journal of Shijiazhuang University

摘　　要：明代吴国伦以左克明《古乐府》为底本,将乐府题目系统拟写一遍,存世作品300多首。由于模仿过甚,其乐府诗受人诟病,其实吴氏拟写乐府诗带有投机和功利的目的,通过"拟形"学习早期经典诗歌本文的"格调"及技巧。他对"铙歌""相和歌"等部类的拟写,主要是模仿或复制音乐痕迹,借鉴和袭用语词,偶尔也有所改造。但对"清商曲"的拟写费劲心思,佳作颇多。"杂拟"部分因没有明确的摹拟对象,故发挥的成份更多一些。吴国伦在拟写"古歌谣"的基础上,自作"杂歌谣",联系时事,称赞地方官吏,表现出较高的创造性。研究吴国伦的乐府诗,应改换传统思路,重点看他如何接受和改造乐府诗经典文本。Wu Guolun, in the Ming Dynasty, writes systematically more than 300 works on the subjectsof YueFu, based on the Ancient Yuefu of Zuo Keming. In fact, Wu＇s poems, which has been criticized forits imitation by which he learned the styles and artistic standards of the early poems, is composed ofspeculative and utilitarian elements. He simulates ＂Nao songs＂ and ＂Xianghe songs＂ mainly by imitating orcopying music, drawing on and raiding words, changing occasionally. However, there are a lot of goodworks simulating the Qingshang Music. There is no suit object to simulate the ＂hybrid＂ section, so thereare many improvisations among these works. Based on the ＂old folk songs＂, Wu Guolun creates manymiscellaneous ballads, which are mainly used to praise the local officials. To study Wu Guolun＇s poems, weshould change the traditional way of thinking and pay more attention to his acceptance and reform of theclassical texts of YueFu Poems.

关 键 词：吴国伦 乐府诗 拟形 再造 

分 类 号：I207.2[文学—中国文学]