“文心”探赜——魏晋六朝文学修辞与文学风气变迁下的《文心雕龙》思想分析  

Exploration of the Literary Mind——Analyse the Theories of Liu Xie Against the Background of Literary Modification and Atmosphere in Wei,Jin,Northern and Southern Dynasty

作　　者：周华[1] ZHOU Hua(Central China Normal University,Wuhan 430000,China)

机构地区：[1]华中师范大学,湖北武汉430000

出　　处：《忻州师范学院学报》2018年第4期65-69,130,共6页Journal of Xinzhou Teachers University

摘　　要：刘勰之"文心"实为其雕龙群言之精神源动力,索源则先须观澜,即宏观地探察魏晋南北朝时期的文学发展状况。因此,首要地便是对当时文学修辞背景的考察,包括声韵、文字及修饰倾向等角度;其次是对文士心理和文风面貌的考量。当然,在这一过程中,始终都离不开《文心雕龙》其文学理论的观照。理论与实际结合,方能更近"文心"之旨。As a matter of fact,the Literary Mind originates the Carving words of Dragons. It needs to be explored by observing waves all the way,which means overlooking the developing conditions of literature in Wei,Jin,Northern and Southern Dynasties. As a result,it is the viewing of the literary modification backgrounds including phonology,character and modifying trends that comes first. And the investigations into the mentality of the scholars and the atmosphere of the literary world. Of course,perceiving the Literary Mind and Carving of Dragons accompanies this exploring procedure consistently,which may lead the way to the literary Mind.

关 键 词：“文心” 文学修辞 文学风气 《文心雕龙》 

分 类 号：I206.2[文学—中国文学]