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作 者:张迎波[1] ZHANG Yin-bo(School of Sports,Honghe University,Mengzi 661199,China)
出 处:《红河学院学报》2018年第5期20-26,共7页Journal of Honghe University
基 金:2017年度云南省教育厅科学研究基金项目(2017ZZX125)
摘 要:踩花山是苗族西部方言区婚姻过程中的一个重要环节。本文以云南文山州马关县滇越边境苗族踩花山的一个典型个案,力图展现在当代社会中一个特殊的文化事项是如何改变的。通过对政府和资本两大力量对苗族踩花山活动的介入基点与动机、形式及影响的分析,描绘一幅民族传统文化在资本与国家两大力量参与下呈现出的动态图景和新的形态特征,以启发我们去关注那些引导乃至决定传统仪式活动现代变迁的社会作用机制。“Caihuashan” Festival is an important tradition of the marriage process in the western dialect area of Miao ethnic group. This paper tries to show how a particular cultural event has changed in contemporary society by a case study of Miao ethnic group “caihuashan” Festival in Maguan County, Wenshan Prefecture, border of Yunnan Province and Vietnam. By analyzing the two forces of government and the capital involving in the activities of the Festival and the intervention point and motivation, this paper tries to depict the dynamic picture and new morphological features of a national traditional culture under the participation of capital and state, enlightening us that we should pay attention to the social action mechanism which guides and decides the modern transition of traditional ritual activities.
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