从《琴和箫》到《夜渡》:一个故事的四种讲述  

From Piano and Flute to Ferry in the Night:four Narratives of a Story

作　　者：于晨曦 YU Chen-xi(College of Liberal Arts,Hebei University,Baoding,Hebei 071000,China)

机构地区：[1]河北大学文学院,河北保定071000

出　　处：《河北广播电视大学学报》2018年第4期42-45,共4页Journal of Hebei Radio & TV University

摘　　要：孙犁的小说《琴和箫》中流露出的感伤情愫与他一贯清丽自然的诗化小说有所不同。小说文本中体现的战争对美好生命的戕害以及小说背后隐藏的一段沉痛的"肃托"史是《琴和箫》的感伤所在。为了避免感伤,孙犁三次改写,叙述立场从显性到隐形,故事主角从幼稚到成熟,故事氛围从小资到生活化,完成了一个故事的四种讲述。在改写中,日军对冀中女性的侵害这一隐藏叙事被逐渐明朗,显示出孙犁在儒家传统道德影响下的女性审美和贞操观。The sentimental feelings revealed in Sun LiJ s novel Piano and Flute are different from his consistently poetic novels. The sorrow of the war on the beautiful life embodied in the novel text and the painful ^ suppressing Trotskyw history hidden behind the novel are the sentimentality of Piano and Flute. To avoid sentimental feelings, Sun Li rewrote three times. Narrative position goes from explicit to recessive, the hero of the story goes from naive to mature, and the atmosphere of the story goes from petty bourgeoisie to real life, completing four narratives of a story. In the rewriting, the hidden narrative of Japanese soldiers？ sexual abuse on women in central Hebei is gradually becoming clear, showing the female aesthetic and chastity under the influence of Sun Li’s traditional Confucian morality.

关 键 词：孙犁 琴和箫 感伤 女性审美 贞操观 

分 类 号：I207.42[文学—中国文学]