草原情怀 赤子丹青——论蒙古族画家齐·巴雅尔草原题材中国画的艺术表现与情感表达  

Loyal Painter's Sentiment for Grassland——On Artistic Expression and Emotional Expression of Mongolian Painter Qi Bayar's Grassland Themed Traditional Chinese Painting

作　　者：高文亮 GAO Wenliang(Inner Mongolia Arts University,Hohhot,Inner Mongolia,China 010010)

机构地区：[1]内蒙古艺术学院美术学院,内蒙古呼和浩特010010

出　　处：《内蒙古师范大学学报（哲学社会科学版）》2018年第3期116-119,共4页Journal of Inner Mongolia Normal University：Philosophy and Social Sciences Edition

基　　金：2015年内蒙古自治区高等学校人文社会科学一般项目"内蒙古马文化题材当代水墨画特色研究"(NJSY297)研究成果之一

摘　　要：齐·巴雅尔先生是我国当代著名的蒙古族画家,他以家乡内蒙古草原为母题,创作了一系列中国画作品,开创了当代中国画草原画风。其草原题材中国画在继承传统的同时融会中西,具有强烈的时代感征和民族特征。巴雅尔的草原题材中国画可分为两种表现形式,一是传统水墨精神意笔韵味的表现形式,讲究笔精墨妙;二是融会中西的彩墨画法,将中国画写意笔墨与西方的现代派色彩构成形式融为一体,丰富了中国画的表现力。Mr. Qi Bayar is a famous contemporary Mongolian painter in China. He created a series of traditional Chinese paintings with the theme of his hometown grassland and created the grassland painting style in contemporary Chinese painting. His traditional Chinese paintings with grassland theme inherit Chi- nese tradition and integrate western elements with Chinese one, which has a strong sense of the times and national characteristics. Expression form of Mr. Qi Bayar＇s traditional Chinese paintings with grassland theme can be classified into two types. One is the expressive form of a facile pen with exquisite drawing techniques. The other form is color ink painting which columbines the Chinese and western elements.

关 键 词：齐·巴雅尔 草原题材 中国画 艺术表现 民族情感 

分 类 号：J203[艺术—美术]