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作 者:陈英杰[1]
机构地区:[1]首都师范大学文学院、出土文献与中国古代文明研究协同创新中心,北京100089
出 处:《东岳论丛》2018年第9期23-30,191,共8页DongYue Tribune
基 金:本文为国家社会科学基金项目青年项目“两周金文作器用途铭辞综合整理与研究”(12CYY034)、首都师范大学“首都文化建设协同创新中心”项目的阶段性成果.
摘 要:唐兰三书说突破传统六书的局限,建构了一个新的理论体系,是二十世纪文字学史上最重要的理论创获,对以后的文字学研究起到了引领的作用。学界对于唐兰三书说的研究,主要存在三个方面的问题:一是不能充分关照其文字发生和文字分期理论;二是误认为唐先生把三书跟文字的形音义三要素相比附;三是只关注其三书,而不顾其六技。很多讨论,都缺乏对唐兰本身理论体系的充分、全面、准确的把握和理解,因此导致对唐兰三书说的认识和研究停滞不前。Tang Lan’s Sanshu theory(The three categories of Chinese characters)breaks through the limitation of the traditional Liushu theory(The six categories of Chinese characters)and constructs a new theoretical system.It is the most important theoretical achievement in the history of philology in 20thcentury and plays a leading role in the following study of philology.There are three maior problems in the research of Tang Lan’s Sanshu theory:first,it did not give full attention to his theory about the generation and stages of characters;secondly,it misunderstood that Mr.Tang attached the Sanshu theory to the three elements of characters(form,sound and meaning);the third,it only paid attention to the Sanshu theory while ignored Liuji(The six approaches of the evolution of Chinese characters).Many discussions lack a full,comprehensive and accurate grasp and understanding of Tang Lan’s theoretical system,which leads to the stagnation of understanding and research on Tang Lan’s Sanshu theory.
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