爱尔兰戏剧文学中的德鲁伊德教传统与逻辑  

Druides Tradition and Logics in Irish Dramatic Literature

作　　者：田菊[1] TIAN Ju(Faculty of Business Foreign Languages,Shanxi University of Finance and Economics,Taiyuan 030006,China)

机构地区：[1]山西财经大学经贸外语学院,山西太原030006

出　　处：《山西大学学报（哲学社会科学版）》2018年第5期23-28,共6页Journal of Shanxi University(Philosophy and Social Science Edition)

基　　金：教育部人文社会科学研究项目青年基金"接受与流变:爱尔兰戏剧运动在中国"(17YZC752030)

摘　　要：以德鲁伊德教(Druides)对爱尔兰戏剧文学的历史传统和影响轨迹为研究对象,论述了爱尔兰戏剧文学从早期恢复德鲁伊德传统的民族戏剧以唤醒人民大众的民族情感,到中期寻求宗教仪式性中神秘主义意象和象征手法的创作理论,再到后期逐步脱离抽象的美学理论以彰显人本色彩的创作目标的逻辑轨迹。通过上述三个阶段和两次创作思想转化过程主要作家作品的分析研究,力争初步构建出德鲁伊德教对爱尔兰戏剧文学乃至整个近代英爱文学影响的历史图景和逻辑范式。This paper discusses the influence of Druides on the Irish dramatic literature which presents three different stages from the early restoration of Druides national drama in order to awaken people＇s national feelings to seek the mystical image and symbolism in the religious ritual in the middle of this period. In the later period,it gradually deviates from the abstract aesthetic theory in order to highlight the logical track of the creation goal of humanism.Through the discussion of the above three stages and two creative ideological transformation process of the main writers and works of analysis and research,the author tries to construct the historical picture and logical paradigm of the influence of Druides on Irish dramatic literature and the modern English and Irish literature.

关 键 词：德鲁伊德 爱尔兰戏剧复兴运动 文化人类学 叶芝 

分 类 号：I562.3[文学—其他各国文学]