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作 者:卢其春 李开沛[2] LU Qi-chun;LI Kai-pei(l.Hunan Women's University,Changsha,Hunan 41000,China;Jishou University,Jishou,Hunan 416000,China)
机构地区:[1]湖南女子学院,湖南长沙410004 [2]吉首大学,湖南吉首416000
出 处:《贵州民族研究》2018年第7期100-103,共4页Guizhou Ethnic Studies
摘 要:少数民族民间舞蹈作为一种产生于少数民族内部的艺术活动,具有极强的艺术感染力。时代的发展给其带来极大的冲击,但是作为经过历史洪流大浪淘沙留下来的优秀艺术仍然保持了独特的民族特色。如何将少数民族先祖留下的优秀文化在我们这一辈手中传承下去,并且在这个多元化世界中实现自身发展是一个重要课题。培养少数民族民间舞蹈优秀青年传承人,在保留自身民族性这一鲜明特点的基础上进行创新与改革成为必然选择,而民族优秀文化也需要更大的舞台来实现自身大跨越、大发展。As a kind of artistic activity that produces and develops within ethnic minorities,minority folk dance has strong artistic appeal.The great development of the times has exerted great influence on the arts,but as a result of the historical floods,the fine arts left behind by the surf and sand still maintain a large national identity.However,how to preserve the outstanding culture left by the ancestors of the ethnic minorities in our hands and realize the development in this diversified world is an important issue.To cultivate the outstanding youth inheritors of ethnic minority dances,innovation and reform based on keeping the distinct characteristics of their own nationalities have become an inevitable choice,and excellent national culture also needs a new and larger stage to achieve its own great leap forward and great development.
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