澳大利亚丛林现实主义小说的“疯癫”意象  

On the Madness Images in Australian Bush Realism Novels

作　　者：张加生[1,2] 彭青龙 Zhang Jia-sheng;Peng Qing-long(Nantong University,Nantong 226019,China/Shanghai Jiaotong University,Shanghai 200240,China;Shanghai Jiaotong University,Shanghai 200240,China)

机构地区：[1]南通大学,南通226019 [2]上海交通大学,上海200240

出　　处：《外语学刊》2018年第5期121-126,共6页Foreign Language Research

基　　金：国家社科基金项目“亨利·劳森丛林书写与民族想象研究”(17BWW054);国家社科基金重大招标项目“多元文化视野下大洋洲文学研究”(16ZDA200)的阶段性成果;2016年度“中国澳大利亚研究基金会”资助

摘　　要：澳大利亚丛林现实主义小说是澳大利亚民族主义时期的主要文学题材。本文结合19世纪末20世纪初澳大利亚社会历史背景以文本细读方法分析以劳森、弗菲、拉德为代表的澳大利亚民族主义作家丛林书写中的疯癫意象。本文认为，丛林疯癫意象是澳大利亚民族主义时期丛林现实主义小说的一大鲜明特征，也是民族主义作家作品的共同表征。丛林现实主义小说以澳大利亚丛林为书写对象，再现丛林人在早期丛林环境中求生存、求自由、求独立的艰辛过程以及在此过程中不断陷入疯癫的现实，建构出澳大利亚民族身份源于丛林的民族想象。As the main genre of Australian nationalism writings, the fictions of Australian bush realism are the authentic portraits and sketches of Australian bush life in the harsh bush surroundings. This paper, based on the close-reading of bush writings by Henry Lawson, Joseph Furphy and Steele Rudd, focuses on the analysis of the ＂madness images＂. It is argued that by representing what the bushmen suffered and experienced in the harsh bush environment, the writers objectively expressed the fact that Australian bushmen are prone to go mad in struggling for survival in 1880s. Through the representation, the paper constructs the basic argument that Australia is a nation built upon bush, and Australian national identity is somehow forged through the madness images by the Australian bushmen in the harsh environment.

关 键 词：澳大利亚 丛林现实主义 丛林疯癫意象 

分 类 号：I106[文学—世界文学]