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作 者:雷芳
出 处:《苏州科技大学学报(社会科学版)》2018年第5期57-63,共7页Journal of Suzhou University of Science and Technology(Social Science Edition)
基 金:江苏省高校哲学社会科学研究基金项目"日本中世文学中的‘物哀’研究"(2017SJB0118)
摘 要:《平家物语》是日本中世颇具代表性的战记物语文学作品。它的"物哀"一方面继承了平安王朝美学的"物哀"情怀,分别体现为由恋爱的不完满而体会到的悲情愁绪,以及与亲人死别后无奈出家的悲痛欲绝、万念俱灰;另一方面,着重通过个人的地位、生命、生活方式的今非昔比、命运的不可抗拒,以及集团势力的昔盛今衰的描述,引发观者对盛者必衰之理的扼腕叹息。而最具《平家物语》特色的"物哀"观则体现为刚柔并济的武士情,"刚"是指武士精神中勇武、悲怆、视死如归的精神;"柔"则指吟咏和歌的风雅以及怜惜少年武士的柔情。Heike Monogatari is quite a representative of Japan's medieval war memoirs literary works. On the one hand, its "Mononoaware" inherits the feelings of "Mononoaware" of the Peace dynasty aesthetics, respectively reflecting the pathos and gloomy mood felt in the incomplete love, as well as in the desperation and distress owing to the deaths of their relatives.On the other hand, focusing on the status quo through personal status, life and lifestyle, the irresistible fate and the description of the decline of the group's forces, the work triggers the viewer sigh with regret upon the principle of up-anddowns. The most characteristic "Mononoaware" in Heike Monogatari reflects itself as samurai's mixed passion of justice with gentleness, where "justice" refers to the spirits of valiance, pathetique and sacrifice of the samurais, and "gentleness" refers to the elegance of chanting and singing as well as the tenderness of taking pity on the juvenile samurais.
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