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作 者:栾为[1] LUAN Wei(College of Humanities,Shanghai Jiao Tong University,Shanghai,200240,China)
出 处:《百色学院学报》2018年第4期18-25,共8页JOURNAL OF BAISE UNIVERSITY
摘 要:玉为美石的信念以及玉石崇拜的传统,是华夏民族与其他民族相区别的一个重要特点。文学人类学提出的四重证据法认为,文物和图像也包含着一种叙事方式,可以作为研究无文字时期的实证材料。2014年良渚博物院举办的特展"玉器·玉文化·夏代中国文明展",为文化研究者打开思路提供了一扇有益的窗口。将玉礼器作为一种史前期文化记忆的载体,从中探寻无文字时代的夏代文明的某些内容,是当今知识条件下具有前沿意义的研究课题。The belief in jade as a beautiful stone and the tradition of jade worship are an important feature of the Chinese nation different from other ethnic groups.The quadruple evidence method proposed by Literary Anthropology believes that both cultural relics and images also contain a narrative pattern,which can be used as an empirical material for studying the period without characters."The Exhibition of Jade,Jade Culture,Xia Dynasty Civilization"held by Liangzhu Museum in 2014 provided a useful window for cultural researchers to open their minds.Using ritual jade wares as a carrier of prehistoric cultural memory to explore some contents of the Xia Dynasty civilization in the era without characters is a research topic with cutting-edge significance under the current knowledge conditions.
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