民俗文化视域下环县道情皮影的艺术特征与发展策略研究  

The Characteristics and Development Strategy of Art of Daoqing Shadow from the Perspective of Folk Culture

作　　者：马冲[1] MA Chong(College of Music,Longdong University,Qingyang 745000,Gans)

机构地区：[1]陇东学院音乐学院,甘肃庆阳745000

出　　处：《陇东学院学报》2018年第5期121-124,共4页Journal of Longdong University

摘　　要：皮影戏是中国传统文化的瑰宝,是中华民族重要的非物质文化遗产。环县道情皮影作为中国皮影的杰出代表,既是中国传统艺术的"活化石",又是中国艺术走向世界的排头兵。环县道情皮影正是在黄土高原农耕文化和道教思想的双重滋养下走过了百年风雨历程,形成了独具特色的民俗文化艺术特征。如今,在环县道情皮影看似繁荣的背后,实质上呈现出步履维艰的发展现状。由皮影艺术的特点可以看出,环县道情皮影未来发展策略必然要实现在政府引导和自身创新求变的基础上形成长效机制,积极推动环县道情皮影突破自我,走出困境。Shadow play is the treasure of Chinese traditional culture and the important intangible cultural heritage of China. As an outstanding representative of China, Daoqing Shadow is not only the living fossil of Chinese traditional art, but also the source of Chinese folk art. Under the influence of Loess Plateau farming culture and Taoism by centuries, Daoqing shadow has formed its unique artistic features. Unfortunately, behind the seemingly prosperity, Dakqing shadow is in fact on the decline. Therefore, to break out of this dilemma and for future development, it is essential for us to adopt a long-term mechanism based on our innovation as well as support of the local government.

关 键 词：民俗文化 环县道情皮影 艺术特征 发展策略 

分 类 号：J60[艺术—音乐]