宫本百合子反战小说中的女性形象  

The Female Images in Miyamoto Yuriko's Anti-war Novels

作　　者：彭旭[1,2] PENG Xu(School of Foreign Languages,Qilu University of Technology,Jinan Shandong 250353,China;School of Foreign Languages and literature,Shandong University,Jinan Shandong 250100,China)

机构地区：[1]齐鲁工业大学(山东省科学院)外国语学院,山东济南250353 [2]山东大学外国语学院,山东济南250100

出　　处：《齐齐哈尔大学学报（哲学社会科学版）》2018年第9期106-108,117,共4页Journal of Qiqihar University(Philosophy & Social Science Edition)

基　　金：齐鲁工业大学社科项目:女性主义视角下无产阶级作家宫本百合子的文学研究(SKXMY1615)

摘　　要：作为二战时唯一一位坚持无产阶级立场没有转向的女性作家,宫本百合子始终坚持反战,并以女性的视角创作了许多控诉战争的作品。在她的反战小说中,百合子塑造了无奈守候的母亲、坚强生活的妻子、顽强抵抗的独身女性等众多女性形象,表现了战争中女性的困境、挣扎与抵抗以及交织于女性身心的焦虑与思索,是她在战时背景下对女性的自我价值认同与自我身份重建做出的深入探索,表达了她对法西斯主义的痛恨与谴责、对女性的同情与希望。As the only female writer who persisted in the proletariat position without turning in World War II, Miyamoto Yuriko always insisted on anti-war, and created many works to denounce the evil war from the perspective of women. In her anti-war novels,Yuriko shaped many female images such as a helpless waiting mother, a hard-working wife, and a stubbornly resisting single woman,demonstrated the plight, struggles and resistance of women in war, and their anxieties and thinkings intertwined with women＇s physical body and mind. It is an in-depth exploration of women＇s self-value recognition and self-identity reconstruction in the context of warime to expresses her hatred and condemnation of fascism, her sympathy and hope for women.

关 键 词：宫本百合子 反战小说 女性形象 

分 类 号：I106.4[文学—世界文学]