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作 者:徐英[1] 陆斌[2] Xu Ying;Lu Bin(Art College of Changzhou University,Changzhou,223162;Design college of Nanjing University of the Arts,Nanjing,213000)
机构地区:[1]常州大学艺术学院,213161 [2]南京艺术学院设计学院,213000
出 处:《陶瓷科学与艺术》2018年第7期64-67,共4页Ceramics Science & Art
摘 要:本文源自国家艺术基金资助项目《传统泥片成型制陶工艺调查研究与影像纪录》,其主要从民间现存泥片成型案例中探究泥片成型技术的发展过程,除国内的江苏宜兴丁蜀镇、云南香格里拉尼西、云南大理云南驿镇、安徽泾县外,还囊括了东北亚的韩国、东南亚的柬埔寨、南太平洋的斐济群岛等地。本次考察是对韩国南部的瓮器制作工艺中的成型、装饰与烧成工艺的观察研究,并以此反思我国非物质文化遗产在市场经济催促下畸形发展的类比个案。This article is a part of the study project "ResearchonTraditionaISlab-built Pottery Forming Technique and Film Record" founded by the National Arts Found. It mainly explores the development of slab forming techniques through the investigation of the existing cases of folk pottery- making villages where hand-built methods are still in use. Case studies were conducted not only in China mainland ( which include Dingshu town in Yixing, Jiangsu Prov., Nixi town in Shangri-La, Yunnan Prov., and Taoyao in Jing county, Anhui Prov.), but also in North and Southeast Asia (which include South Korea and Cambodia), South Pacific(Fiji) and other places. The aim of this study is to observe and investigate the shaping, decoration and firing process of the onggi ware in the south of South Korea. Hopefully, it will promote reflections upon the unhealthy development of the industry of intangible culture heritage protection in China, under the negative impact brought by the Chinese market economy.
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