西藏传统工艺美术的生产性保护问题探讨——以藏族传统矿植物颜料的田野调查为研究个案  

Discussion on the productive protection of traditional arts and crafts in Tibet——Field investigation of Tibetan traditional mineral and plant pigment as a case study

作　　者：包淳 熊帝骅 Baochun 1,Xiongdihua 2(1,2,Academy of arts,Tibet University Lhasa Tibet 85001)

机构地区：[1]西藏大学艺术学院,西藏拉萨850012

出　　处：《内蒙古艺术学院学报》2018年第3期21-26,共6页Journal of Inner Mongolia Arts University

基　　金：国家社科基金重大项目"西藏非物质文化遗产的整理;传承研究与数字化保护"(编号13﹠ZD141)系列论文;西藏大学研究生高水平人才培养计划项目"非物质文化遗产视域下西藏工艺美术的产业化研究"(编号2016-GSP-033)阶段性成果;内蒙古自治区高等学校科学研究项目名栏建设专项项目"田野调查"(项目编号:NJMZ1706)专栏论文

摘　　要：当前藏族传统矿植物颜料的生产性保护工作正在西藏地区积极开展,它在实践中所积累的经验和遇到的问题在西藏传统工艺美术的保护和发展中具有普遍性。本文通过田野调查的方法,以藏族传统矿植物颜料为切入点,探讨西藏传统工艺美术的生产性保护问题,通过调查研究发现,解决原材料危机、提升工艺品质和产量、找准品牌定位、拓宽营销渠道是解决现有问题的有效措施。At present, the productive protection of Tibetan traditional mineral and plant pigment is actively carried out in Tibet.The accumulated experience and problems in practice are universal in the protection and development of Tibetan traditional arts and crafts.This paper discusses the productive protection of Tibetan traditional arts and crafts by means of field investigation and taking Tibetan traditional mineral and plant pigment as the breakthrough point.Through investigation and study,it is found that the effective measures to solve the existing problems are to solve the raw materials crisis,improve the quality and output of technology,find the right brand positioning and broaden the marketing channels.

关 键 词：西藏 传统工艺美术 生产性保护 矿物颜料 植物颜料 

分 类 号：G122[文化科学]