“蒙古马”造型艺术特征与民族文化表意  

Artistic Characteristics and Cultural Expression of the Shape and Style of the Mongolian Horse

作　　者：赵媛 Zhao Yuan(Inner Mongolia Arts University, Hohhot, Inner Mongolia 010010)

机构地区：[1]内蒙古艺术学院,内蒙古呼和浩特010010

出　　处：《内蒙古艺术学院学报》2018年第3期139-143,共5页Journal of Inner Mongolia Arts University

基　　金：内蒙古自治区高等学校科学研究项目"北方游牧民族马文化与马造型艺术研究"(项目编号:NJSY17667)系列研究论文

摘　　要："蒙古马"的称谓,源于蒙古高原地域特征和十三世纪崛起于草原深处的蒙古民族,是中国北方主要马品种之一。中国北方游牧民族草原动物题材造型中,有关于马的艺术题材可谓琳琅满目,多彩而丰富,一方面显示出草原游牧民族动物风格艺术作品特点,更多的是反映了游牧民族对马的崇拜、喜爱之情,以及马文化与草原游牧民族精神文化的承接与融合。马造型语言之所以成为草原文化的象征符号,成为游牧民族的精神载体,就是因为它是草原艺术的典型形象,具有深远的情感意境和文化意蕴,在经久不衰的草原动物风格传承下,它用自己鲜明生动的个性体现了草原文化的精髓及时代的特征,并达到一种独特的理想审美境界。Mongolian Horse is one of the main spices of horses in northern China. There are a variety of subjects about horses in the animal themes of nomads in Northern China. On one hand, it reveals the artistic characteristics of animal themes of the nomadic groups. On the other hand, it shows the worship and love to horse of the nomadic groups, as well as the fusion and inheritance of the horse culture and nomadic culture in northern China. Horse has been the symbol of the grassland culture and expression of nomadic spirit since it is the typical image and expression of grassland art. In the everlasting heritance and diversification of grassland animal styles, it profoundly reflects the spirit of nomads and demonstrates the essence of grassland culture by its vivid characters and artistic shapes, which also achieves a unique and ideal realm of art.

关 键 词：蒙古马 造型 草原文化 

分 类 号：J50[艺术—艺术设计]