《诗经》中的乐器及其所体现的文化  

The Musical Instruments in The Book of Songs and the Culture Embodied in It

作　　者：祝秀权[1] 沈晓月 Zhu Xiuquan;Shen Xiaoyue(School of Chinese Language and Literature,Huaiyin Normal University,Huai＇an,Jiangsu 223300,China)

机构地区：[1]淮阴师范学院文学院,江苏淮安223300

出　　处：《湖北工程学院学报》2018年第5期48-53,共6页Journal of Hubei Engineering University

基　　金：江苏省社会科学基金一般项目(13ZWB008)

摘　　要：《诗经》所记录的乐器有26种,就其包含乐器的诗篇数来说,"雅"最多,"风"次之,"颂"最少,根据古老的"八音"分类法,这些乐器分别属于金石、丝竹、匏土、革木之音。《诗经》中的乐器所体现的文化有以下几个方面:运用音乐进行人伦教化,宗教祭祀中使用音乐,乐器的使用体现君子威仪,乐器的使用体现周礼。There are 26 kinds of musical instruments recorded in The Book of Songs. In terms of the number of poetic pieces which contain musical instruments, ＂elegance＂ is the most, ＂style＂ is the second and ＂ode＂ is the least. According to the ancient Chinese ＂eight music＂ classification, these musical instruments respectively belong to gold and stone, silk and bamboo, gourd and clay, leather and wood music. The culture embodied in The Book of Songs includes the following aspects： human ethical enlightenment carried out by music use, using music in the religious sacrifice, expressing the noble manners of gentlemen and the etiquette of Zhou Dynasty by means of musical instruments.

关 键 词：诗经 乐器 礼乐 周代文化 

分 类 号：J609.2[艺术—音乐]