边地的诗意坚守与曲折发展——广西诗歌60年回顾  

On the Poetic Persistence and Twisted Development of the Borderland:A Review of Guangxi's Poetry in the Past 60 Years

作　　者：罗小凤 LUO Xiaofeng(School of Chinese Language and Literature,Yangzhou University,Yangzhou 225009,China)

机构地区：[1]扬州大学文学院,江苏扬州225009

出　　处：《广西师范学院学报（哲学社会科学版）》2018年第5期25-29,共5页Journal of Guangxi Teachers Education University：Philosophy and Social Sciences Edition

基　　金：国家社科基金后期资助项目"新时期文学思潮的过渡与演进研究"(18FZW067);江苏省第五期"333高层次人才培养工程"项目;江苏高校哲学社会科学研究重点项目"新媒体语境下新诗传播转型研究"(2018SJZDI139);2018年广西文艺评论基地课题"中国当代文学艺术中的广西形象建构研究"

摘　　要：随着1958年广西壮族自治区的成立,广西的政治、经济、文化发生了巨变,而广西作为刘三姐的故乡,因为素有"歌海"之称而本为诗意栖居之所,由此广西诗歌创作伴随着历史的巨变而开始了新的历程。在60年的广西诗歌版图上,曾有过五六十年代"百鸟衣"时期的辉煌,亦有60年代中期至70年代的沉寂荒芜,更有新时期划时代的诗歌转型和新世纪以来诗歌的新发展。60年来,广西诗歌正是在这样的曲折发展中参与了中国当代诗歌的发展进程,并在中国当代诗歌版图上划定了广西诗歌的重要位置。With the founding of Guangxi Zhuang Autonomous Region in 1958, Guangxi has been greatly changed in politics, economy, and culture. As the hometown of LiuSanjie （Sister Liu, a leg endary folksong singer）, Guangxi has always been called ＂the Sea of Folksong＂, thus become a region of poetic dwelling. Therefrom, the poetic creation in Guangxi has started a new journey with the his torical change. In the poetic domain of Guangxi in the past 60 years, there have undergone the flower ing period of ＂Costume of Hundred Birds＂ in 1950s and 1960s, a silent and barren period during 1960s to 1970s, an epochal poetic transformation in the new era, and finally a new development of the poet ry since the new century. In the past 60 years, it has been in such twisted course that Guangxi partici pates in the new advancement of China＇s contemporary poetry, and occupies an important place for Guangxi in the domain of China＇s contemporary poetry.

关 键 词：广西诗歌 百鸟衣 文化寻根 

分 类 号：I207.2[文学—中国文学]