浮出历史的歌:女性人类学视野下“陈圆圆”叙事研究  

A Song of History: a Study of Chen Yuanyuan's Narrative in the View of Female Anthropology

作　　者：赵锐[1] ZHAO Rui(College of humanities,Caili University,Kaili 556011,China)

机构地区：[1]凯里学院人文学院,贵州凯里556011

出　　处：《学理论》2017年第10期190-193,共4页Theory Research

基　　金：2013年贵州省教育厅高校人文社科青年课题:"清水江流域苗族口传文学的女性人类学研究"阶段性成果(13QN029);贵州省重点学科人类学专项课题"黔东南苗族口传文学的女性人类学研究"阶段性成果(RLX015)

摘　　要：随着清史专家的考证,陈圆圆最后归隐地在贵州省岑巩县马家寨,当地流传许多关于"陈圆圆"的口传叙事,对这些口传叙事的挖掘,让陈圆圆形象浮出历史尘埃,其形象与书面文学书写的形象差异性很大,具有很强的女性意识与主体意识。本文在女性人类学视野下,对书面文学与口头叙事中陈圆圆的形象进行梳理,展示陈圆圆形象经历了由"物化"到"人化"最后走向"神化"的嬗变过程。with the history of the Qing Dynasty expert research, Chen Yuanyuan finally returned to the villagenamed horse in CENGONG County of GUIZHOU province, the local spread of many on the ＂Chen Yuanyuan＂ of the oralnarrative, the mining of these oral narrative, let the image of Chen Yuanyuan out of the dust of history. There aregreat image difference between its image and written literature writing which has female consciousness and strongbody consciousness. This paper from the perspective of feminist anthropology, combing Chen Yuanyuan writtenliterature and oral narrative in the image display, showed the ＂deification＂ of the image of Chen Yuanyuan who hasexperienced the ＂materialization＂ to ＂evolution of human＂ and finally.

关 键 词：女性人类学 陈圆圆 叙事 形象 嬗变 

分 类 号：G122[文化科学]