陕西北周安伽墓石榻围屏舞伎舞姿形态的再认定  

作　　者：李淼[1] 

机构地区：[1]河南师范大学音乐舞蹈学院,河南新乡453007

出　　处：《中原文物》2018年第5期119-124,共6页Cultural Relics of Central China

基　　金：2019年度河南省教育厅人文社会科学研究项目"中原唐代代表性乐舞研究"(项目编号:2019-ZZJH-570)

摘　　要：陕西北周安伽墓围屏石榻所存胡舞舞姿形态丰富且极具代表性,但简报对其舞种归属均较模糊,缺乏令人信服的依据。本文通过对安伽墓围屏石榻的舞姿形态,进行拉班动作分析以及史料梳理后认为:安伽墓石榻围屏后屏一、六舞姿形态只存在动作幅度的区别,应同为胡腾舞。右屏二舞者在服装、身体使用部位等重要方面与后屏舞姿图像存在较大差异,为胡旋舞。同时根据史料记载,挖掘出胡腾舞表演细节,将胡腾舞研究进一步向纵深推进。The relives of barbarian dance, which are carved on the marble panels by the mortuary couch of the Anjia burial of the Northern Zhou dynasty, are exceptional. However, not sufficient information, regarding the dance category, has been released either in the preliminary report or the formal report. Through analysis of the dance movements, the author argues that the dancers carved on the marble panel in the back should be performing the Huteng dance, while that on the right panel performing the Huxuan dance. This article also investigates details of the Huteng dance, which contributes greatly to the related research.

关 键 词：安伽墓 胡腾舞 胡旋舞 拉班动作分析 

分 类 号：K879.3[历史地理—考古学及博物馆学]