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作 者:田若男 TIAN Ruonan(Shanghai Film Academy,Shanghai University,Shanghai 200072,China)
机构地区:[1]上海大学上海电影学院
出 处:《中国陶瓷》2018年第10期82-88,共7页China Ceramics
摘 要:中国文化、文明的所有创造都是围绕着“身体”展开的,“身体”可谓是中国文化的核心观念之一。这种“身体化”的文化倾向可以追溯到新石器时代出现的彩陶艺术之中。本文以中国史前彩陶为研究对象,将“身体”的研究范围扩展到“生理身体”、“现象身体”及“肉身”三个维度,以期对彩陶的“身体性”做一个较为立体的诠释,从而导向对彩陶的一种“身体介入”式的研究及鉴赏方式。All creation of Chinese culture and civilization is carried out around "body" , which is one of the core concepts of Chinese culture. This "physical" cultural orientation can be traced back to the pottery art emerging from the Neolithic period. Taking the Chinese prehistoric painted pottery as the research object, this article extends the research scope of "body" into three dimensions of "physical body" , "phenomenal body" and "flesh body" in order to make a more three-dimensional interpretation of the "physicality" Which will lead to a kind of "body intervention" style research and appreciation way to painted pottery.
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