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作 者:周琪[1] ZHOU Qi(School of Music and Dance,Yichun University,Yichun Jiangxi,336000,China)
机构地区:[1]宜春学院音乐与舞蹈学院,江西宜春336000
出 处:《晋中学院学报》2018年第5期43-46,共4页Journal of Jinzhong University
基 金:国家社会科学基金一般项目:"西部民歌文化资源产业化研究--以广西为例"(08BMZ043);江西省社会科学研究"十三五"(2018)地区规划课题(18DQ32)
摘 要:在文化产业的输入与输出中,古老的民间文化传承在多年近代化的探索中已然落了下风,传统民间文化遗产的保护呼声也越来越大。在现代化建设特别是市场经济的大环境下,该如何保护这些宝贵的民间文化遗产已经成为一个迫在眉睫的问题。近年来,有专家提出了"文化生态壁龛"的文化遗产保护理念,这种理念注重于建立文化环境整体的生态保护区域,从继承人和继承技术的考虑,再进行适当的文化生态产品输出,这种文化保护理念很好地完成了铜鼓客家山歌的保护与传承,是市场文化产业的传承探索的关键,更是铜鼓客家山歌产业化探索的必经之路。In the process of importing and exporting the cultural industry, the inheritance of ancient folk culture has fallenbehind in the exploration of modernization for many years, and the protection of traditional folk cultural heritage is becoming moreand more important. Under the circumstances of the modernization of market economy, how to protect these precious folk culturalheritage has become a problem. In recent years, some experts have put forward the concept of “cultural ecological niches”for theprotection of cultural heritage. This concept focuses on the establishment of an ecological protection area of the cultural environmentas a whole, from the consideration of inheritors and inheritance technology, and then the appropriate export of cultural and ecologicalproducts. This concept of cultural protection completed the protection and inheritance of the Hakka folk song of the bronze drumwell, and the key to the inheritance of the market culture industry is the only way to explore the industrialization of the Hakka folksong of the bronze drum.
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