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作 者:温斌[1] WEN Bin(School of Chinese Language and Literature,Baotou Teachers College,Baotou 014030)
出 处:《阴山学刊》2018年第5期30-35,共6页Yinshan Academic Journal
基 金:国家社科基金项目"古代北方草原文学美学价值探究"(12XZW016)阶段性研究成果;包头师范学院中国语言文学"一流学科"建设成果
摘 要:中华文明从发轫时期开始,就是多元文化的荟萃,诗歌对美的追求也是如此,而最集中的则是具有草原文化特质的草原诗歌,《诗经·小雅·无羊》可谓最早的牧事诗的代表,它抓住了草原文化形态最为本质的对象精心绘制,注重了牛羊蕃盛、生机无限的描写,突出人与自然的和谐,展现了另外一种新的美学世界;尽管显得稚嫩、朴素,但毕竟是另外一种美的天地、美的抒写。From the very beginning, the Chinese civilization was a collection of diverse cultures. The poetry pursues the beauty, the same as the grassland poetry which possesses grassland cultural characteristics. "Wu Yang" in "Book of Songs" is the earliest representative of pastoral poetry. It captures the most essential object of grassland culture form, pays attention to the prosperous and vivid description, highlights the harmony between hu- man and nature, and shows another new aesthetic world. Although a little tender and simple, it describes another kind of stunning world and lyrics.
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