七玄乐府模式的广西少数民族乐器文化产业的发展  

The Development of the Guangxi Minorities Musical Instrument Culture Industry with the Pattern of Seven Xuan Yue Fu Houses

作　　者：郑带利 张洁夫[1] ZHENG Dai-li;ZHANG Jie-fu(Guilin Institute of Tourism,Guilin Guangxi 541006,China)

机构地区：[1]桂林旅游学院,广西桂林541006

出　　处：《湖北函授大学学报》2018年第17期192-194,共3页

基　　金：2015年度广西哲学社会科学规划研究课题"广西少数民族民间器乐文化的传承与创新研究"(项目编号:15BMZ009);2015年桂林旅游学院重点课题"新时期广西民族民间音乐文化传承与传播形态研究"的阶段性成果(项目编号:2015ZD01)

摘　　要：广西的少数民族乐器品种繁多、形态各异并特色鲜明,是广西优秀文化宝贵遗产中的一个有机组成部分。七玄乐府是桂林旅游学院的一个非常具有特色的少数民族乐器文化展示基地。本文通过分析七玄乐府对广西少数民族乐器开发运用的历史,来窥探广西民族乐器文化产业发展的现状,并在七玄乐府的基础上,提出了新的构想和建议。Guangxi＇s ethnic musical instruments have a wide variety of musical instruments,various shapes and distinctive features. They are an integral part of the valuable cultural heritage of Guangxi. Seven Xuan Yue Fu is a very unique cultural display base for minority musical instruments of the Guilin Institute of Tourism. This article analyzes the history of the development and application of instruments of the Guangxi minority nationality by the Seven Xuan Yue Fu,to explore the status quo of the development of Guangxi＇s national musical instrument culture industry,and on the basis of Seven Xuan Yue Fu,new ideas and suggestions were put forward.

关 键 词：广西少数民族 七玄乐府 乐器 文化产业 

分 类 号：J6[艺术—音乐]