日本诗话批评中的韩愈之论  

Ideas Concerning Han Yu in Japanese Poetic Criticism

作　　者：胡建次 涂亮 Hu Jianci;Tu Liang(School of Liberal Arts,Yunnan Normal University,Kunming,Yunnan,65050;School of Liberal Arts,Nanjing University,Nanjing,Jiangsu,210023)

机构地区：[1]云南师范大学文学院,云南昆明650500 [2]南京大学文学院,江苏南京210023

出　　处：《西北民族大学学报（哲学社会科学版）》2018年第5期144-151,共8页Journal of Northwest Minzu University(Philosophy and Social Sciences)

基　　金：国家社会科学基金项目"中国古代文论承传研究"(项目编号:07CWZ001)

摘　　要：日本诗话批评中的韩愈之论主要体现在对其文学史地位的论评、诗文艺术风格的探讨以及创作之法的阐释等方面。日本诗话批评中韩愈之论的形成源于韩愈对日本文士的重要影响,而中国诗话的传播、日本文士的推崇、唐宋诗之争的影响及明代复古之论的辐射等都发挥了重要的推动作用,它也从一个场域反映出韩愈在东亚汉文化圈所具有的独特影响力。In Japanese poetic criticism, ideas concerning Han Yu are mainly about the criticism of his position in literary history, the discussion of the artistic style of his proses and poems, and the interpretation of his literary creation methods. The formation of ideas concerning Han Yu in Japanese poetic criticism stemmed from the great influence of Han Yu upon Japanese men of letters. The main motivations are the dissemination of Chinese poetic notes and comments, praise from Japanese men of letters, the conflicts between poetry of Tang and Song dynasties, and the radiation of restoration of the ancient in Ming Dynasty. It also reflects the unique influence of Han Yu in the circle of Han culture in East Asia.

关 键 词：日本诗话 韩愈之论 文学史定位 艺术探讨 缘由分析 

分 类 号：I207.2[文学—中国文学]