论伊万诺夫的聚和性创作理念  

On Ivanov's Creation Concept of Sobornost

作　　者：王希悦[1] 于金玲[1] Wang Xiyue;Yu Jinling

机构地区：[1]东北农业大学俄语系

出　　处：《俄罗斯文艺》2018年第3期113-120,共8页Russian Literature & Arts

基　　金：国家社科基金项目"维.伊万诺夫诗学的文化阐释与研究"(15BWW033);黑龙江经济社会发展重点研究课题"维.伊万诺夫的狄俄尼索斯文化研究"(WY2016051-B)项目的阶段成果;哈尔滨师范大学俄罗斯文化艺术研究中心资助

摘　　要：伊万诺夫是俄国白银时代象征主义重要理论家、诗人、文学批评家。他在古希腊文化(酒神)研究、象征主义理论阐释以及现代文化和文学等方面的探索皆有成效。其关涉艺术的起源、分类、特质与使命、创造性个性和自由以及戏剧的发展等诸多问题的思考,无不渗透着聚和性思想。主要体现在,伊万诺夫践行"艺术综合"理念,并结合宗教元素走向"新综合";高度评价宗教神秘剧的创作尝试,突出色彩、音乐、宗教仪式等元素综合的聚和戏剧模式;关注合唱、全民艺术等艺术形式的统一性特点;阐释酒神崇拜的聚和性仪式特征及集体主义精神。伊万诺夫以开阔的知性视域彰显的聚和性创作理念成为文艺思想发展史不可或缺的组成部分。Ivanov is an important theorist, poet and literary critic of symbolism in the Silver Age in Russia. His research is very effective in the ancient Greek culture（dionysus）, symbolism theory, modern culture and literature and other aspects of exploration. His literary theory relates to the origin, classification, characteristics, mission, creative personality and freedom of art, as well as the development of drama and many other issues, all permeated with sobornost. It is reflected mainly in the following aspects： Ivanov practiced the concept ＂art synthesis＂, and combined with religious elements to ＂new synthesis＂, highly praised the creative attempt of religious mystery,highlighted the color, music, religious rituals and other elements of the integrated drama model,concerned about the unity of chorus, national art and other art forms and explained the sobornost of the dionysus worship and the spirit of the collectivism. The sobornost of literary theory, highlighted by Ivanov with an open intellectual vision, is an indispensable part developmental history of literary and artistic thoughts.

关 键 词：聚和性 新综合 宗教神秘剧 全民艺术 合唱 

分 类 号：I512.06[文学—其他各国文学]