《申报》影评中的“肉感”女体修辞演进与早期电影(1925-1935)  

The Female Body Rhetoric and the Cultural History of “Sensuality” in Early Film Commentaries of Shen Bao( 1925-1935)

作　　者：马聪敏[1] MA Cong-min(School of Journalism and Communication,Shaanxi Normal University,Xi＇an 710061,Shaanxi Province,China)

机构地区：[1]陕西师范大学新闻与传播学院,陕西西安710061

出　　处：《妇女研究论丛》2018年第5期109-117,共9页Journal of Chinese Women＇s Studies

基　　金：国家社会科学基金艺术学规划项目"西北地区传统女红非遗传承人影像口述史的实践与研究"(项目编号:13BG067);2017年国家重点开发计划"民族民间文化资源传承与开发利用技术集成与应用示范"项目(项目编号:2017YFB1402100)的阶段性成果

摘　　要：文章通过对《申报》(1925-1935)中与"肉感"和"电影"有关的语料的分析,尝试说明"肉感"聚焦"女体修辞"的过程演进,并通过商品化的肉感与女体消费主义修辞、堕落的肉感与女体的民族主义修辞、意识正确的肉感与女体的新生活主义修辞等不同路径的阐释,说明"肉感"的女体修辞在获得艺术现代性和审美自在性的同时,如何走向不同的修辞路径。《申报》影评中"肉感"一词的意义生成和文化史建构的复杂样貌,一方面是修辞作为意识形态工具被主流意识形态利用的结果,另一方面也反证了不同时期意识形态转向所显示的现代性尴尬。Through the analysis of the corpus related to ＂sensuality＂and ＂film＂in Shen Bao（ 1925-1935）,the article explains the development of ＂sensuality ＂ and ＂female body rhetoric ＂,and its movement along different rhetoric paths while ＂sensual female rhetoric＂obtains artistic modernity. Through the commercialization of rhetoric on sensuality and the consumerism of the female body,the decadent sensuality and the rhetoric on female body＇s nationalism,the consciousness-correct sensuality and the female body＇s new life doctrinal rhetoric and so on,this study suggests that the path for＂the voluptuousness＂of the female body rhetoric in Chinese early films changed. Different paths interwove with the formation of the meaning of ＂sensuality＂and the complex construction of its cultural history. The complexity of construction of cultural history of the word ＂sensual＂in the review of the Shen Bao,on the one hand,was a result of the use of rhetoric by the mainstream ideology,and on the other hand,revealed the embarrassment of modernity that the ideological transition exhibited in different periods of history.

关 键 词：申报 肉感 女体修辞 近代性(现代性) 意识形态工具 

分 类 号：I207[文学—中国文学]