从符号学角度看苏轼诗词中的鸿雁意象  

Swan Goose Image of Su Shi's Poetry in the Semiotic Perspective

作　　者：何倩怡 He Qianyi(College of Humanities,Guangzhou University,Guangzhou,Guangdong 510006,China)

机构地区：[1]广州大学,广州510006

出　　处：《柳州职业技术学院学报》2018年第5期102-106,共5页Journal of Liuzhou Vocational & Technical College

摘　　要：在中国古典诗歌中,鸿雁这个意象具有丰富的文化内涵。意象作为诗歌中的一种特殊艺术符号,是审美经验的符号化过程,表现的是一种更深层、更抽象的意蕴,也可以说是由诗人独特的人生体验创造出来的,因此诗歌中的意象经过诗人主观情感融注后产生了新的审美效应。苏轼一生屡遭贬谪,历经磨难使得他对个体生命和宇宙人生有着更深刻的体悟,体现在诗词中便是各种形态的鸿雁意象。In Chinese classical poetry, swan goose image contains rich cultural connotation. As a special art symbol,image is a process of symbolization of aesthetic experience. It not only have a profound meaning, but also created bya poet＇s special life experience. Therefore, image has produce a new aesthetic effect when it combined withsubjective feeling. Su Shi＇s life is full of frustrations, thus he have a profound feeling on individual life and universe. Itmainly manifested in various kinds of swan goose image in poetry.

关 键 词：符号学 苏轼 意象 鸿雁 

分 类 号：I206.2[文学—中国文学]