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作 者:李卫卫 张卫娣[1] LI Wei-wei;ZHANG Wei-di(Department of Foreign Languages,Henan University of Science and Technology,Luoyang 472023,China)
机构地区:[1]河南科技大学外国语学院,河南洛阳471023
出 处:《河南科技大学学报(社会科学版)》2018年第5期9-12,47,共5页Journal of Henan University of Science & Technology(Social science)
摘 要:古代中国王昭君的故事最早见于《汉书》,在《西京杂记》的创作下,王昭君从一个真实的历史人物变为流传于后世的文学形象。王昭君故事传入日本后,在平安时代对中国先进文化消化吸收的大背景下,日本文学作品创作者糅合自身物语文学的写作手法,对王昭君故事进行了更为丰富的加工创作,使王昭君故事在平安时代的多部物语文学中大放异彩,不仅丰富了王昭君的文学形象,也凸显了王昭君故事在平安时代物语文学作品中的流变。In ancient China, the story of Wang Zhaojun was first seen in the History of Han, with the creation of Xijing Zaji, Wang Zhaojun changed from a real historical figure into a literary image that was spread from later generations. After the story of Wang Zhaojun was introduced into ancient Japan, under the absorption of advanced Chinese and the combination of their own monogatari literature writing techniques with the historical social background and the writer’s’ psychology, they created a number of Wang Zhaojun monogatari literature. And the story in the Heian period not only enriched the literary image of Wang Zhaojun, but also highlights the evolution of Wang Zhaojun's story in the Heian period monogatari literature.
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